On how the Viagra of the contemporary can inflate the flaccid remnants of the past

Paper


Mee, Simon. 2016. "On how the Viagra of the contemporary can inflate the flaccid remnants of the past." 2015 Drawing International Brisbane Symposium: Ego, Artefact, Arena (DIB 2015). Brisbane, Australia 30 Sep - 02 Oct 2015 Brisbane, Australia.
Paper/Presentation Title

On how the Viagra of the contemporary can inflate the flaccid remnants of the past

Presentation TypePaper
Authors
AuthorMee, Simon
Journal or Proceedings TitleProceedings of the 2015 Drawing International Brisbane Symposium: Ego, Artefact, Arena (DIB 2015)
Number of Pages12
Year2016
Place of PublicationBrisbane, Australia
Web Address (URL) of Paperhttps://static1.squarespace.com/static/55779bbce4b004acf1e1479d/t/56aef8f95827c3672ac5c93c/1454307582380/SIMON+MEE_ON+HOW+THE+VIAGRA+OF+THE+CONTEMPORARY+CAN+INFLATE+THE+FLACCID+REMNANTS+OF+THE+PAST_DIB2015.pdf
Conference/Event2015 Drawing International Brisbane Symposium: Ego, Artefact, Arena (DIB 2015)
Event Details
2015 Drawing International Brisbane Symposium: Ego, Artefact, Arena (DIB 2015)
Event Date
30 Sep 2015 to end of 02 Oct 2015
Event Location
Brisbane, Australia
Abstract

Drawing upon the artefact of the past: How the contemporary visual artists are simultaneously haunted by the past and its legacy of trauma and conflict while the present frees them to use history as a vehicle for discourse as demonstrated in the drawings of Michael Borremans.

Keywordscontemporary visual artists; Michael Borremans
ANZSRC Field of Research 2020360103. Art theory
Public Notes

c. Griffith Centre for Creative Arts Research.

Byline AffiliationsSchool of Arts and Communication
Institution of OriginUniversity of Southern Queensland
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