Here's a strange alteration: contagion and the mutable mind in Coriolanus
Edited book (chapter)
Chapter Title | Here's a strange alteration: contagion and the mutable mind in Coriolanus |
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Book Chapter Category | Edited book (chapter) |
ERA Publisher ID | 3612 |
Book Title | Shakespeare's Renaissance/Renaissance Shakespeares: Proceedings of the Ninth World Shakespeare Congress |
Authors | |
Author | Chalk, Darryl |
Editors | Prochazka, Martin, Dobson, Michael, Hofele, Andreas and Scolnicov, Hanna |
Page Range | 68-76 |
Series | World Shakespeare Congress Proceedings |
Chapter Number | 7 |
Number of Pages | 9 |
Year | 2014 |
Publisher | University of Delaware Press |
Place of Publication | Newark, United States |
ISBN | 9781611494600 |
9781611494617 | |
Web Address (URL) | http://www.shakespeare2011.net |
Abstract | There is a palpable unease in early modern culture about the effects of certain activities, environmental factors, and emotional states on the human mind. A temperate, moderated conjunction of body and mind, resolute against inordinate passions and inconstant atmospheric conditions, is repeatedly constructed in medical manuals as a buttress against susceptibility to the kinds of pathological humours, such as those carried by contagion or bad air, that cause illness and disease. This anxiety over the inconstant mind is only amplified in the period's hostile writings about the protean efficacy of acting on the minds and bodies of players and playgoers. In Th' Overthrow of Stage-Playes (1599), for example, John Rainolds contends that the 'iniquitie' of personation endangers the actors' 'minds' to 'infection' because 'diseases of the mind are gotten far sooner by counterfeiting, then are diseases of the body [and] the seeing whereof played but an hower, or two, might taint the spectators.' In their imagining of a pathological theatricality, anti-stage critics define the mind of the actor as both infected and infecting, vulnerable to contagion but also capable of transferring and reproducing this corruptive becoming in the body-mind of the spectator. In Shakespeare's Coriolanus, the protagonist's repeated refusals to perform are infused with antitheatrical disquiet; echoing Rainolds, he fears the adulteration of mind that dissembling might produce and veers between paranoia and choleric rage over his encounters with the onstage embodiment of the playgoing crowd, the plebians, the 'many-headed multitude', whose perceived mutability and 'stinking breaths' threaten the boundaries of Coriolanus' singular sense of selfhood. Consumed with a 'plaguy' air, Coriolanus' mind, like the actor's in the antitheatrical tract, becomes poisoned and simultaneously poisonous, a 'disease that must be cut away'. His strange alterations are the seed of contagion for the violence and destruction that pervades this play. |
Keywords | Shakespeare; Coriolanus; theatre and contagion; body-mind; early modern acting and the passions; representation of anger; antitheatrical sentiment |
ANZSRC Field of Research 2020 | 470504. British and Irish literature |
470530. Stylistics and textual analysis | |
360201. Creative writing (incl. scriptwriting) | |
Public Notes | Files associated with this item cannot be displayed due to copyright restrictions. |
Byline Affiliations | School of Arts and Communication |
Event | 9th World Shakespeare Congress 2011: Renaissance Shakespeare: Shakespeare's Renaissances |
Journal Title | Proceedings of the 9th World Shakespeare Congress |
Institution of Origin | University of Southern Queensland |
Event Details | 9th World Shakespeare Congress 2011: Renaissance Shakespeare: Shakespeare's Renaissances Renaissance Shakespeare: Shakespeare Renaissances Event Date 17 to end of 22 Jul 2011 Event Location Prague, Czech Republic |
https://research.usq.edu.au/item/q14vy/here-s-a-strange-alteration-contagion-and-the-mutable-mind-in-coriolanus
1968
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