The rhythmic sounds of nature: an ecological exploration of how the living environment inspires creative composition in music

PhD Thesis


Zanganeh, Arash. 2024. The rhythmic sounds of nature: an ecological exploration of how the living environment inspires creative composition in music. PhD Thesis Doctor of Philosophy. University of Southern Queensland. https://doi.org/10.26192/zwz6q
Title

The rhythmic sounds of nature: an ecological exploration of how the living environment inspires creative composition in music

TypePhD Thesis
AuthorsZanganeh, Arash
Supervisor
1. FirstProf Georgina Barton
2. SecondDr Marthy Watson
Institution of OriginUniversity of Southern Queensland
Qualification NameDoctor of Philosophy
Number of Pages255
Year2024
PublisherUniversity of Southern Queensland
Place of PublicationAustralia
Digital Object Identifier (DOI)https://doi.org/10.26192/zwz6q
Abstract

This study investigates the relationship between nature and music, focusing on how the natural world influences the composition process. The research fills a gap in previous studies by exploring the relationship between composers and nature, seeking to elucidate the mechanisms through which natural elements inform musical creation. The primary objective is to provide composers with a new approach to infuse their compositions with natural themes, fostering a deeper connection between creators and audiences with the environment. The study poses the question of how composers translate their vision of nature into musical works, aiming to uncover the underlying processes and tools employed in this endeavour. To achieve this, the research employs a multidisciplinary approach, drawing a triangle from musicology, ethnomusicology, and ecomusicology. A philosophical framework rooted in Sufism cultivates alignment within the interdependent realms of this triangle. The study also uses qualitative ethnographic methods, with the researcher actively participating in the process to capture its nuances effectively. This includes participant observation, interviews with key stakeholders, such as composers and nature experts, and the collection of natural sounds and visuals from Springbrook National Park, Queensland. The study's findings highlight the transformative potential of incorporating natural rhythms into music composition, as demonstrated by creating a musical calendar infused with recorded natural sounds. The research underscores the enhancement of the depth and resonance of compositions that such integration creates, resulting in intricate harmonies and counterpoints in world-fusion music. Ultimately, this study not only sheds light on the historical practices of composers but also offers practical insights for world-fusion music making, emphasising the profound impact of nature on artistic expression.

KeywordsNatural sounds, Aesthetics of music; Sufism; Music composition; World-fusion music; Nature; Musicology; Ethnomusicology; Ecomusicology; Philosophy of music; Aesthetics of music
Contains Sensitive ContentDoes not contain sensitive content
ANZSRC Field of Research 2020390299. Education policy, sociology and philosophy not elsewhere classified
3603. Music
Public Notes

File reproduced in accordance with the copyright policy of the publisher/author.

Byline AffiliationsSchool of Creative Arts
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