The rhythmic sounds of nature: an ecological exploration of how the living environment inspires creative composition in music
PhD Thesis
Title | The rhythmic sounds of nature: an ecological exploration of how the living environment inspires creative composition in music |
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Type | PhD Thesis |
Authors | Zanganeh, Arash |
Supervisor | |
1. First | Prof Georgina Barton |
2. Second | Dr Marthy Watson |
Institution of Origin | University of Southern Queensland |
Qualification Name | Doctor of Philosophy |
Number of Pages | 255 |
Year | 2024 |
Publisher | University of Southern Queensland |
Place of Publication | Australia |
Digital Object Identifier (DOI) | https://doi.org/10.26192/zwz6q |
Abstract | This study investigates the relationship between nature and music, focusing on how the natural world influences the composition process. The research fills a gap in previous studies by exploring the relationship between composers and nature, seeking to elucidate the mechanisms through which natural elements inform musical creation. The primary objective is to provide composers with a new approach to infuse their compositions with natural themes, fostering a deeper connection between creators and audiences with the environment. The study poses the question of how composers translate their vision of nature into musical works, aiming to uncover the underlying processes and tools employed in this endeavour. To achieve this, the research employs a multidisciplinary approach, drawing a triangle from musicology, ethnomusicology, and ecomusicology. A philosophical framework rooted in Sufism cultivates alignment within the interdependent realms of this triangle. The study also uses qualitative ethnographic methods, with the researcher actively participating in the process to capture its nuances effectively. This includes participant observation, interviews with key stakeholders, such as composers and nature experts, and the collection of natural sounds and visuals from Springbrook National Park, Queensland. The study's findings highlight the transformative potential of incorporating natural rhythms into music composition, as demonstrated by creating a musical calendar infused with recorded natural sounds. The research underscores the enhancement of the depth and resonance of compositions that such integration creates, resulting in intricate harmonies and counterpoints in world-fusion music. Ultimately, this study not only sheds light on the historical practices of composers but also offers practical insights for world-fusion music making, emphasising the profound impact of nature on artistic expression. |
Keywords | Natural sounds, Aesthetics of music; Sufism; Music composition; World-fusion music; Nature; Musicology; Ethnomusicology; Ecomusicology; Philosophy of music; Aesthetics of music |
Contains Sensitive Content | Does not contain sensitive content |
ANZSRC Field of Research 2020 | 390299. Education policy, sociology and philosophy not elsewhere classified |
3603. Music | |
Public Notes | File reproduced in accordance with the copyright policy of the publisher/author. |
Byline Affiliations | School of Creative Arts |
https://research.usq.edu.au/item/zwz6q/the-rhythmic-sounds-of-nature-an-ecological-exploration-of-how-the-living-environment-inspires-creative-composition-in-music
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