Becoming a Voice for Innovation in the Orchestral Concert Hall
Presentation
Paper/Presentation Title | Becoming a Voice for Innovation in the Orchestral Concert Hall |
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Presentation Type | Presentation |
Authors | Nicholls, Claire D (Author) and Henry, Matthew (Author) |
Journal or Proceedings Title | Proceedings of the 35th World Conference of the International Society for Music Education (ISME 2022) |
Number of Pages | 16 |
Year | 2022 |
Place of Publication | Brisbane, Australia |
Web Address (URL) of Paper | https://ismeworldconference.org/ |
Conference/Event | 35th World Conference of the International Society for Music Education (ISME 2022) |
Event Details | 35th World Conference of the International Society for Music Education (ISME 2022) Parent ISME World Conference on Music Education Delivery In person Event Date 17 to end of 22 Jul 2022 Event Location Brisbane, Australia |
Abstract | Much has been written in research about the increasing need to draw new audiences into classical music concerts and frequently these reports conclude that something must be done to give them a voice within the concert hall. Studies have demonstrated that for many people, the concert hall, theatre and orchestra present intangible barriers that unknowingly deter people from engaging in wonderful Arts events. For potential new and younger audiences, being unsure of etiquette and unspoken ‘rules’ of being an audience, having no or limited prior experience, or a lack of cultural capital frequently elicit responses such as 'that isn’t for me' and 'I don’t belong there'. These perceptions are often aggravated given the long tradition and history of the concert hall as being ‘high art’ and a belief that classical music (in the broad sense) is for sophisticated tastes only. As music educators and audience developers these present a significant challenges and call us to act as advocates that voice these needs of new audiences and employ fresh expressions as part of audience outreach and engagement. This workshop will skill participants with strategies and techniques for audience development and outreach to new audiences to orchestral and classical music. The activities will draw on recent research carried out in community and professional concert halls and assist participants in considering how relationships, pedagogy and audience differentiation can be used as part of audience outreach and engagement in their unique contexts. Participants will be invited to challenge perceptions of what ‘education’ looks like within informal contexts such as the concert hall and the need for a shift towards the notion of ‘curating’ learning experiences for audiences. There will be a special focus given to designing concerts for younger audiences and their families, sharing empirically researched best practice, and exploration of how ordinary experience can be transformed into learning experiences promoting lifelong engagement in the Arts. |
ANZSRC Field of Research 2020 | 399999. Other education not elsewhere classified |
390101. Creative arts, media and communication curriculum and pedagogy | |
Byline Affiliations | University of Southern Queensland |
Toowoomba Concert Orchestra, Australia | |
Institution of Origin | University of Southern Queensland |
https://research.usq.edu.au/item/q789w/becoming-a-voice-for-innovation-in-the-orchestral-concert-hall
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