This One Loves That One: Queerbaiting at the Eurovision Song Contest

Edited book (chapter)

Carniel, Jessica. 2019. "This One Loves That One: Queerbaiting at the Eurovision Song Contest." Brennan, Joseph (ed.) Queerbaiting and Fandom: Teasing Fans through Homoerotic Possibilities. Iowa City, United States. University of Iowa Press. pp. 182-185
Chapter Title

This One Loves That One: Queerbaiting at the Eurovision Song Contest

Book Chapter CategoryEdited book (chapter)
Book TitleQueerbaiting and Fandom: Teasing Fans through Homoerotic Possibilities
Authors
AuthorCarniel, Jessica
EditorsBrennan, Joseph
Page Range182-185
Number of Pages4
Year2019
PublisherUniversity of Iowa Press
Place of PublicationIowa City, United States
ISBN9781609386719
9781609386726
Web Address (URL)https://www.uipress.uiowa.edu/books/9781609386719/queerbaiting-and-fandom
Abstract

Most queerbaiting scholarship focuses on drama series, but queerbaiting functions differently in nonnarrative event television like Eurovision. At Eurovision, there are no characters or storylines as such. Even so, producers and performers are able to suggest queer content and meaning in a variety of ways, including the selection of hosts, the scripting of their banter and other interval entertainment, and the deliberate queering of performances.

KeywordsEurovision Song Contest, queerbaiting, LGBTQIA, LGBT, popular culture, popular music, television, queer representation
ANZSRC Field of Research 2020440599. Gender studies not elsewhere classified
470214. Screen and media culture
470210. Globalisation and culture
Byline AffiliationsSchool of Humanities and Communication
Institution of OriginUniversity of Southern Queensland
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