Towards a theory of participatory diplomacy via the Eurovision Song Contest

Article

Carniel, Jessica. 2024. "Towards a theory of participatory diplomacy via the Eurovision Song Contest." Media Culture and Society. 46 (5), pp. 925-941. https://doi.org/10.1177/01634437231224080
Article Title

Towards a theory of participatory diplomacy via the Eurovision Song Contest

ERA Journal ID9239
Article CategoryArticle
AuthorsCarniel, Jessica
Journal TitleMedia Culture and Society
Journal Citation46 (5), pp. 925-941
Number of Pages17
Year2024
PublisherSAGE Publications Ltd
Place of PublicationUnited Kingdom
ISSN0163-4437
1460-3675
Digital Object Identifier (DOI)https://doi.org/10.1177/01634437231224080
Web Address (URL)https://journals.sagepub.com/doi/10.1177/01634437231224080
Abstract

The Eurovision Song Contest is officially a non-political event but has nevertheless been a useful tool for participating nations’ public and cultural diplomacy strategies. While Eurovision’s diplomatic utility for states is subject to much scholarly attention, little attention has been paid to how fans and audiences participate actively in these processes as political agents and actors. Drawing upon the frameworks of public diplomacy and participatory culture, this article puts forth the portmanteau concept of ‘participatory diplomacy’ to explain and explore how Eurovision illuminates a particular intersection of public diplomacy and participatory culture wherein the audience actively participates in its cultural platform to shape its political message and meaning.

Keywordspublic diplomacy; participatory culture; Eurovision Song Contest; transnationalism; popular culture; fan studies
Contains Sensitive ContentDoes not contain sensitive content
ANZSRC Field of Research 2020470210. Globalisation and culture
440808. International relations
Byline AffiliationsSchool of Humanities and Communication
Centre for Heritage and Culture
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