Open-ended art environments motivate participation

Paper


Morrison, Ann, Viller, Stephen and Mitchell, Peta. 2011. "Open-ended art environments motivate participation." 8th International Conference on Advances in Computer Entertainment Technology (ACE 2011). Lisbon, Portugal 08 - 11 Dec 2011 New York, United States. https://doi.org/10.1145/2071423.2071479
Paper/Presentation Title

Open-ended art environments motivate participation

Presentation TypePaper
AuthorsMorrison, Ann (Author), Viller, Stephen (Author) and Mitchell, Peta (Author)
Journal or Proceedings TitleProceedings of the 8th International Conference on Advances in Computer Entertainment Technology (ACE 2011)
ERA Conference ID50555
Number of Pages8
Year2011
Place of PublicationNew York, United States
ISBN9781450308274
Digital Object Identifier (DOI)https://doi.org/10.1145/2071423.2071479
Web Address (URL) of Paperhttp://dl.acm.org/citation.cfm?doid=2071423.2071479
Conference/Event8th International Conference on Advances in Computer Entertainment Technology (ACE 2011)
International Conference on Advances in Computer Entertainment
Event Details
8th International Conference on Advances in Computer Entertainment Technology (ACE 2011)
Parent
Advances In Computer Entertainment Technology Conference (ACE)
Event Date
08 to end of 11 Dec 2011
Event Location
Lisbon, Portugal
Event Details
International Conference on Advances in Computer Entertainment
ACE
Abstract

In this research we observe the situated, embodied and playful interaction that participants engage in with open-ended interactive artworks. The larger project from which this work derives [28] contributes a methodological model for the evaluation of open-ended interactive artwork that treats each work individually and recognises the importance of the artist intent and the traditions from which the work derives. In this paper, we describe this evolving methodology for evaluating and understanding participation via three case studies of open-ended interactive art installations. This analysis builds an understanding of open-ended free-play non-narrative environments and the affordances these environments enable for participants. Copyright 2011 ACM.

Keywordscommon-sense language; ethnomethodology; HCI; installation art; interaction design; interactive art; open-ended; play
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Byline AffiliationsAalborg University, Denmark
University of Queensland
Institution of OriginUniversity of Southern Queensland
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