Building sensitising terms to understand free-play in open-ended interactive art environments

Paper

Morrison, Ann, Viller, Stephen and Mitchell, Peta. 2011. "Building sensitising terms to understand free-play in open-ended interactive art environments." 29th SIGCHI Conference on Human Factors in Computing Systems (CHI 2011). Vancouver, Canada 07 - 12 May 2011 New York, United States. https://doi.org/10.1145/1978942.1979285
Paper/Presentation Title

Building sensitising terms to understand free-play in open-ended interactive art environments

Presentation TypePaper
AuthorsMorrison, Ann (Author), Viller, Stephen (Author) and Mitchell, Peta (Author)
Journal or Proceedings TitleProceedings of the 29th SIGCHI Conference on Human Factors in Computing Systems (CHI 2011)
ERA Conference ID43377
Number of Pages10
Year2011
Place of PublicationNew York, United States
ISBN9781450302289
Digital Object Identifier (DOI)https://doi.org/10.1145/1978942.1979285
Web Address (URL) of Paperhttp://dl.acm.org/citation.cfm?doid=1978942.1979285
Conference/Event29th SIGCHI Conference on Human Factors in Computing Systems (CHI 2011)
International Conference on Human Factors in Computing Systems
Event Details
International Conference on Human Factors in Computing Systems
CHI
Rank
A
A
A
A
A
A
Event Details
29th SIGCHI Conference on Human Factors in Computing Systems (CHI 2011)
Event Date
07 to end of 12 May 2011
Event Location
Vancouver, Canada
Abstract

In this paper we introduce and discuss the nature of free-play in the context of three open-ended interactive art installation works. We observe the interaction work of situated free-play of the participants in these environments and, building on precedent work, devise a set of sensitising terms derived both from the literature and from what we observe from participants interacting there. These sensitising terms act as guides and are designed to be used by those who experience, evaluate or report on open-ended interactive art. That is, we propose these terms as a common-ground language to be used by participants communicating while in the art work to describe their experience, by researchers in the various stages of research process (observation, coding activity, analysis, reporting, and publication), and by inter-disciplinary researchers working across the fields of HCI and art. This work builds a foundation for understanding the relationship between free-play, open-ended environments, and interactive installations and contributes sensitising terms useful for the HCI community for discussion and analysis of open-ended interactive art works. Copyright 2011 ACM.

Keywordsfree-play, open-ended, interactive installation, common-sense language, sensitising terms, sensitising guides
ANZSRC Field of Research 2020460806. Human-computer interaction
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Byline AffiliationsAalborg University, Denmark
University of Queensland
Institution of OriginUniversity of Southern Queensland
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