3603. Music
| Title | 3603. Music |
|---|---|
| Parent | 36. Creative Arts and Writing |
Latest research outputs
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A musical response to Buna, December 1942 - Horace Perkins' Elegiac symphony (1952)
McNeill, Rhoderick. 2005. "A musical response to Buna, December 1942 - Horace Perkins' Elegiac symphony (1952)." War and Conflict (marking the 60th anniversary of the end of World War II) (2005). Toowoomba, Australia 12 - 13 Aug 2005Paper
The Australian symphony of the 1950s: a preliminary survey
McNeill, Rhoderick J.. 2004. "The Australian symphony of the 1950s: a preliminary survey." USQ Toowoomba and Postgraduate Research Forum (2004). Toowoomba, AustraliaPaper
Elements of baroque performance style applied to a popular piece of J. S. Bach
Gearing, Phillip. 2011. "Elements of baroque performance style applied to a popular piece of J. S. Bach." 10th Australasian Piano Pedagogy Conference (APPC 2011): Leading Notes to Effective Teaching: Resolving the past - Exploring the future. Wagga Wagga, Australia 04 - 08 Jul 2011 Wagga Wagga, Australia.Paper
The pros and cons of the music theory approach to vocal jazz improvisation
Hargreaves, Wendy. 2013. "The pros and cons of the music theory approach to vocal jazz improvisation." 8th International Congress of Voice Teachers (ICVT 2013). Brisbane, Australia 10 - 14 Jul 2013 Brisbane, Australia.Presentation
Marshall-Hall's symphony in E flat and its symphonic context
McNeill, Rhoderick. 2012. "Marshall-Hall's symphony in E flat and its symphonic context." Radic, Therese and Robinson, Suzanne (ed.) Marshall-Hall's Melbourne: music, art and controversy 1891-1915. Melbourne, Australia. Australian Scholarly Publishing. pp. 150-163Edited book (chapter)
Fad or Future? Exploring affordances of virtual worlds for music performance education
Hill, Matthew and Jacka, Lisa. 2013. "Fad or Future? Exploring affordances of virtual worlds for music performance education." Australian Society for Music Education's XIX National Conference. Canberra, Australia 29 Sep - 01 Oct 2013 Australia. Australian Society for Music Education.Paper
Designing contemporary music courses for the 21st century musician: virtual worlds as a live music performance space.
Jacka, Lisa and Hill, Matthew. 2013. "Designing contemporary music courses for the 21st century musician: virtual worlds as a live music performance space." Carter, H., Hedberg, J. and Gosper, M. (ed.) 30th Annual Conference of the Australasian Society for Computers in Learning in Tertiary Education (ASCILITE 2013). Sydney, Australia 01 - 04 Dec 2013Paper
Live music performance in virtual worlds: six musicians’ experiences
Hill, Matthew, Hartshorne, Sarah and Jacka, Lisa. 2013. "Live music performance in virtual worlds: six musicians’ experiences." 2013 IASPM-ANZ Conference. Gold Coast, Australia 24 - 27 Nov 2013 Australia.Paper
Thinking in Pitch: Implications for Vocal Jazz Improvisation Education
Hargreaves, Wendy. 2013. "Thinking in Pitch: Implications for Vocal Jazz Improvisation Education." 8th International Conference for Research in Music Education (RIME 2013). Exeter, United Kingdom 09 - 13 Apr 2013Presentation
Jazz Vocal Improvisation: The Effect of Role Conflict
Hargreaves, Wendy. 2013. "Jazz Vocal Improvisation: The Effect of Role Conflict." Performance Studies Network Third International Conference (2013). Cambridge, United Kingdom 04 - 07 Apr 2013 United Kingdom.Presentation
Fighting the Fear of Improvising
Hargreaves, Wendy. 2013. "Fighting the Fear of Improvising." 8th International Congress of Voice Teachers (ICVT 2013). Brisbane, Australia 10 - 14 Jul 2013 Brisbane, Australia.Presentation
Cosi fan tutte
Gearing, Phillip. 2006. Cosi fan tutte. Toowoomba, Australia.Audio/visual recording
St John Passion
Gearing, Phillip. 2007. St John Passion. Toowoomba, Australia.Audio/visual recording
Organ Recording, St Luke's Church Toowoomba
Gearing, Phillip. 2007. Organ Recording, St Luke's Church Toowoomba. Toowoomba, Australia.Audio/visual recording
Royal Welsh College of Music and Drama
Crook, Martin K.. 2005. Royal Welsh College of Music and Drama. Cardiff, United Kingdom.Audio/visual recording
Home in the making: place, body and music in migratory practices of movement
Sheehy, Kerri-Anne R.. 2012. Home in the making: place, body and music in migratory practices of movement. PhD Thesis Doctor of Philosophy. University of Southern Queensland.PhD Thesis
The Australian violin concerto
Lorenz, Andrew B.. 2010. The Australian violin concerto. Masters Thesis Master of Philosophy. University of Southern Queensland.Masters Thesis
History of music 1: music beginning since ancient Greek period until the end of the baroque period: year 0-1760
McNeill, Rhoderick J.. 1998. History of music 1: music beginning since ancient Greek period until the end of the baroque period: year 0-1760 . Jakarta, Indonesia. PT BPK Gunung Mulia.Authored book
Malcolm Arnold – A Composer of Real Music: Symphonic Writing, Style and Aesthetics by Milton Keynes
McNeill, Rhoderick J.. 2008. "Malcolm Arnold – A Composer of Real Music: Symphonic Writing, Style and Aesthetics by Milton Keynes." Musicology Australia. 30 (1), pp. 115-119. https://doi.org/10.1080/08145857.2008.10416745Book review
The resounding Enneagram: the seven note musical scale as a model of the universe
Crispin, Judith M.. 2007. "The resounding Enneagram: the seven note musical scale as a model of the universe." Buzzell, Keith (ed.) 12th International Humanities Conference: All and Everything 2007. Loutraki of Korinthia Peloponnese, Greece 18 - 22 Apr 2007Paper
Melted honey: sax and sex
Dennis, Simone Jane. 2004. "Melted honey: sax and sex." Popular Culture Review. 15 (2), pp. 47-61.Article
Demons, devils and witches: the occult in heavy metal music
Farley, Helen. 2009. "Demons, devils and witches: the occult in heavy metal music." Bayer, Gerd (ed.) Heavy metal music in Britain. Aldershot, United Kingdom. Ashgate Publishing Limited. pp. 73-88Edited book (chapter)
Migrant symphonies: the symphonic contribution of resident British composers to Australian musical life
McNeill, Rhoderick J.. 2010. "Migrant symphonies: the symphonic contribution of resident British composers to Australian musical life." Hayes, Anna and Mason, Robert (ed.) Migrant Security 2010: Citizenship and Social Inclusion in a Transnational Era. Toowoomba, Australia 15 - 16 Jul 2010 Toowoomba, Australia.Paper
Exploring transnational sentiment through embodied practices of music and migratory movement
Sheehy, Kerri-Anne. 2010. "Exploring transnational sentiment through embodied practices of music and migratory movement." Hayes, Anna and Mason, Robert (ed.) Migrant Security 2010: Citizenship and Social Inclusion in a Transnational Era. Toowoomba, Australia 15 - 16 Jul 2010 Toowoomba, Australia.Paper
Symphonies of the bush: indigenous encounters in Australian symphonies
McNeill, Rhoderick J.. 2005. "Symphonies of the bush: indigenous encounters in Australian symphonies." Plush, Vincent, Schippers, Huib and Wolfe, Jocelyn (ed.) Encounters: meetings in Australian music: essays, images, interviews. Brisbane, Australia. Queensland Conservatorium Research Centre.Edited book (chapter)
Catholicism and alcoholism: the Irish diaspora lived ethics of the Dropkick Murphys punk band
James, Kieran and Grant, Bligh. 2010. "Catholicism and alcoholism: the Irish diaspora lived ethics of the Dropkick Murphys punk band." Hayes, Anna and Mason, Robert (ed.) Migrant Security 2010: Citizenship and Social Inclusion in a Transnational Era. Toowoomba, Australia 15 - 16 Jul 2010 Toowoomba, Australia.Paper
Edgar Bainton’s Australian symphonies
McNeill, Rhoderick J.. 2010. "Edgar Bainton’s Australian symphonies." Conference on British Music (2010). Melbourne, Australia 17 - 19 Sep 2010 Melbourne, Australia.Paper
Messiaen's Turangalila symphonie and its place within the symphonic genre of the first half of the twentieth century
McNeill, Rhoderick J.. 2010. "Messiaen's Turangalila symphonie and its place within the symphonic genre of the first half of the twentieth century." Crispin, Judith M. (ed.) Olivier Messiaen: the centenary papers. Newcastle upon Tyne, United Kingdom. Cambridge Scholars Publishing. pp. 193-204Edited book (chapter)
Music mime & metamorphosis: interdisciplinary intersections, interactions and influences between music, mime and corporate communication. Doctoral project 2 (of 3): Music, mime & metamorphosis
Willems, Christiaan H.. 2008. Music mime & metamorphosis: interdisciplinary intersections, interactions and influences between music, mime and corporate communication. Doctoral project 2 (of 3): Music, mime & metamorphosis. Doctorate other than PhD Doctor of Creative Industries. Queensland University of Technology.Doctorate other than PhD
Music mime & metamorphosis: interdisciplinary intersections, interactions and influences between music, mime and corporate communication. Doctoral project 1 (of 3): Blind collaboration
Willems, Christiaan H.. 2007. Music mime & metamorphosis: interdisciplinary intersections, interactions and influences between music, mime and corporate communication. Doctoral project 1 (of 3): Blind collaboration. Doctorate other than PhD Doctor of Creative Industries. Queensland University of Technology.Doctorate other than PhD
A symphony for Australia: the 1951 commonwealth jubilee composers' competition
McNeill, Rhoderick J.. 2010. "A symphony for Australia: the 1951 commonwealth jubilee composers' competition." Quadrant. 54 (1-2), pp. 86-91.Article
John Antill's Symphony on a City (1959) and its place within the Australian symphonic repertory of the 1950s
McNeill, Rhoderick. 2004. "John Antill's Symphony on a City (1959) and its place within the Australian symphonic repertory of the 1950s." Symposium of the International Musicological Society (SIMS 2004). Melbourne, Australia 12 - 17 Jul 2004 Melbourne, Australia.Paper
The Nuctemeron of Sitsky
Crispin, Judith M.. 2004. "The Nuctemeron of Sitsky." 2004 Symposium of the International Musicological Society (SIMS2004) . Melbourne, Australia 11 - 16 Jul 2004 Melbourne, Australia.Paper
Pierre Boulez
Crispin, Judith M.. 2002. "Pierre Boulez." Sitsky, Larry (ed.) Music of the twentieth-century avant-garde: a biocritical sourcebook. Westport, Conn., USA. Greenwood Press. pp. 77-84Edited book (chapter)
The esoteric musical tradition of Ferrucco Busoni and its reinvigoration in the music of Larry Sitsky: the operas Doktor Faust and The Golem
Crispin, Judith M.. 2007. The esoteric musical tradition of Ferrucco Busoni and its reinvigoration in the music of Larry Sitsky: the operas Doktor Faust and The Golem. New York, USA. Edwin Mellen Press.Authored book
Getting in tune with the psychology of musical performance
Terry, Peter and Ievleva, L.. 2008. "Getting in tune with the psychology of musical performance." Mrowinski, Vicky and Voudouris, Nicholas (ed.) 43rd Annual Australian Psychological Society Conference (APS 2008): Psychology Leading Change. Hobart, Australia 23 - 27 Sep 2008 Melbourne, Australia.Paper
The intermediate and advanced piano music of Dmitry Kabalevsky: pedagogical implications
Pingel, Kathy. 1997. The intermediate and advanced piano music of Dmitry Kabalevsky: pedagogical implications. Masters Thesis Master of Music. University of Southern Queensland.Masters Thesis
Lessons to be learned and benefits to be gained from a collaborative school university music teaching experience in an Australian undergraduate teacher education program
Temmerman, Nita. 2001. "Lessons to be learned and benefits to be gained from a collaborative school university music teaching experience in an Australian undergraduate teacher education program." International Journal of Music Education. 38 (1), pp. 33-42. https://doi.org/10.1177/025576140103800104Article
Police beat: the emotional power of music in police work
Dennis, Simone Jane. 2007. Police beat: the emotional power of music in police work. New York City, United States. Cambria Press.Authored book
Integration, contextualisation and continuity: three themes for the development of effective music teacher education programs
Ballantyne, Julie. 2007. "Integration, contextualisation and continuity: three themes for the development of effective music teacher education programs." International Journal of Music Education. 25 (2), pp. 119-136.Article