Live music performance in virtual worlds: six musicians’ experiences

Paper

Hill, Matthew, Hartshorne, Sarah and Jacka, Lisa. 2013. "Live music performance in virtual worlds: six musicians’ experiences." 2013 IASPM-ANZ Conference. Gold Coast, Australia 24 - 27 Nov 2013 Australia.
Paper/Presentation Title

Live music performance in virtual worlds: six musicians’ experiences

Presentation TypePaper
AuthorsHill, Matthew, Hartshorne, Sarah and Jacka, Lisa
Journal or Proceedings TitleProceedings of the 2013 IASPM-ANZ Conference
Journal Citationpp. 23-31
Number of Pages9
Year2013
Place of PublicationAustralia
ISBN9780975774779
Web Address (URL) of Conference Proceedingshttps://www.iaspm.net/iaspm-anz-2013-conference/
Conference/Event2013 IASPM-ANZ Conference
Event Details
2013 IASPM-ANZ Conference
2013 International Association for the Study of Popular Music (IASPM) Australia-New Zealand Conference
Parent
IASPM-ANZ Conference
Delivery
In person
Event Date
24 to end of 27 Nov 2013
Event Location
Gold Coast, Australia
Abstract

Numerous platforms for the online presentation of music currently exist and many companies seek to capitalise on the opportunities presented by the digitisation of the music industry. These include a vast range of music and video streaming sites with varying degrees of social media capabilities, marketing, and sales functions inbuilt. Examples include YouTube, Spotify, Last.fm, Soundcloud, Grooveshark, Gogoyoko and Myspace. Major record labels and the artists represented by these labels feature prominently on these sites. Online virtual worlds such as Second Life (SL) currently present a less popular means for artists to present their music to a global Internet audience. After a brief flurry of activity in 2006 - 07, major artists and labels have not pursued activities in SL. However, as Rogers (2012) and Gagen (2012) document, the live music performance scene in SL is vibrant, with performances in a range of music genres occurring on a daily basis. This paper seeks to explore the online communities that have emerged around the live SL performance scene by examining the experiences of both performers and audience members from regional and metropolitan areas in Australia who have participated in these performances.

Contains Sensitive ContentDoes not contain sensitive content
ANZSRC Field of Research 2020390303. Higher education
360304. Music performance
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Byline AffiliationsSouthern Cross University
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