Cogito Ergo Theatrum: Redistributing Cognition on the Early Modern Stage
Edited book (chapter)
Johnson, Laurie. 2014. "Cogito Ergo Theatrum: Redistributing Cognition on the Early Modern Stage
." Johnson, Laurie, Sutton, John and Tribble, Evelyn (ed.) Embodied cognition and Shakespeare's theatre: the early modern body-mind. United Kingdom. Routledge. pp. 216-234
| Chapter Title | Cogito Ergo Theatrum: Redistributing Cognition on the Early Modern Stage |
|---|---|
| Book Chapter Category | Edited book (chapter) |
| ERA Publisher ID | 3137 |
| Book Title | Embodied cognition and Shakespeare's theatre: the early modern body-mind |
| Authors | |
| Author | Johnson, Laurie |
| Editors | Johnson, Laurie, Sutton, John and Tribble, Evelyn |
| Page Range | 216-234 |
| Series | Routledge Studies in Shakespeare |
| Chapter Number | 11 |
| Number of Pages | 19 |
| Year | 2014 |
| Publisher | Routledge |
| Place of Publication | United Kingdom |
| ISBN | 9781138000759 |
| 9780203796160 | |
| Digital Object Identifier (DOI) | https://doi.org/10.4324/9780203796160-16 |
| Web Address (URL) | https://www.taylorfrancis.com/chapters/edit/10.4324/9780203796160-16/cogito-ergo-theatrum-laurie-johnson |
| Abstract | This chapter examines studies undertaken on 'distributed cognition' within the early modern theatre, chiefly by Evelyn Tribble, inspired by Ed Hutchins and Andy Clark. The chapter draws on a range of additional forms of evidence from a material cultural history of the early modern theatre, to argue that the distributed cognition model--while valid--requires some adjustments to incorporate better exception handling. |
| Keywords | Shakespeare; distributed cognition; extended mind; body-mind problem; Renaissance; theatre |
| ANZSRC Field of Research 2020 | 470507. Comparative and transnational literature |
| 360403. Drama, theatre and performance studies | |
| 500312. Philosophy of cognition | |
| Public Notes | Files associated with this item cannot be displayed due to copyright restrictions. |
| Byline Affiliations | School of Arts and Communication |
| Institution of Origin | University of Southern Queensland |
Permalink -
https://research.usq.edu.au/item/q262x/cogito-ergo-theatrum-redistributing-cognition-on-the-early-modern-stage
1764
total views18
total downloads0
views this month0
downloads this month
Export as
Related outputs
Jonson's Two Prologues to Epicœne: Libel, Print, and Play
Johnson, Laurie. 2024. "Jonson's Two Prologues to Epicœne: Libel, Print, and Play." The Explicator. https://doi.org/10.1080/00144940.2024.2428981The Origins of Repertory in English Drama; or, How to Find Needles in Haystacks
Johnson, Laurie. 2024. "The Origins of Repertory in English Drama; or, How to Find Needles in Haystacks." Medieval and Renaissance Drama in England: an annual gathering of research, criticism, and reviews. 37, pp. 35-66.Shakespeare's First Folio: Opening the Time Capsule
Johnson, Laurie. Kamaralli, Anna (ed.) 2024. Shakespeare's First Folio: Opening the Time Capsule. Australia. WestWords.Beyond Master Narratives: A Reassessment of the Apprentice Riot of 1592
Johnson, Laurie and Dunnum, Eric. 2023. "Beyond Master Narratives: A Reassessment of the Apprentice Riot of 1592." Huntington Library Quarterly: studies in English and American history and literature. 86 (4), pp. 587-612. https://doi.org/10.1353/hlq.2023.a944188Introduction: Properties of Matter and Performance
Tavares, Elizabeth E., MacLeod, Emily and Johnson, Laurie. 2023. "Introduction: Properties of Matter and Performance." Shakespeare. 19 (1), pp. 1-7. https://doi.org/10.1080/17450918.2023.2183085Leicester's Men and their Plays: An Early Elizabethan Playing Company and its Legacy
Johnson, Laurie. 2023. Leicester's Men and their Plays: An Early Elizabethan Playing Company and its Legacy. United Kingdom. Cambridge University Press.Why Shakespeare Should Change as Well as Challenge
Johnson, Laurie. 2022. "Why Shakespeare Should Change as Well as Challenge." English in Australia. 57 (2), pp. 13-21.The Nose Plays: Nasiform Negotiations at Newington Butts
Johnson, Laurie. 2023. "The Nose Plays: Nasiform Negotiations at Newington Butts." Shakespeare. 19 (1), pp. 24-37. https://doi.org/10.1080/17450918.2023.2183086Access Points: Stage, Space, and/as Interface in the Early Modern Playhouses
Johnson, Laurie. 2023. "Access Points: Stage, Space, and/as Interface in the Early Modern Playhouses." Werier, Clifford and Budra, Paul (ed.) The Routledge Handbook of Shakespeare and Interface. United States. Routledge. pp. 285-296Playhouses and performance
Johnson, Laurie. 2023. "Playhouses and performance." Michelle, Dowd M. and Rutter, Tom (ed.) The Arden Handbook of Shakespeare and Early Modern Drama: Perspectives on Culture, Performance and Identity. London, United Kingdom. Bloomsbury Academic. pp. 129-146The location of Cultural Studies: a contextually contingent account of Cultural Studies’ praxis
Hickey, Andrew and Johnson, Laurie. 2022. "The location of Cultural Studies: a contextually contingent account of Cultural Studies’ praxis." Continuum: Journal of Media and Cultural Studies. https://doi.org/10.1080/10304312.2022.2071838Unique Lines and the Ambient Heart of Q1 Hamlet
Johnson, Laurie. 2022. "Unique Lines and the Ambient Heart of Q1 Hamlet." Bourus, Terri (ed.) Shakespeare and the First Hamlet. United States. Berghahn Books. pp. 162-179Ancestry.com [Digital resource review]
Johnson, Laurie. 2022. "Ancestry.com [Digital resource review]." Early Modern Digital Review. 4 (4), pp. 250-254. https://doi.org/10.33137/rr.v44i4.38657Borrowed robes and garbled transmissions: echoes of Shakespeare's dwarfish thief
Johnson, Laurie. 2016. "Borrowed robes and garbled transmissions: echoes of Shakespeare's dwarfish thief." TEXT: Journal of Writing and Writing Courses. 20 (Special Issue 36), pp. 1-17. https://doi.org/10.52086/001c.27049Introduction: Repertory, Dramaturgy, and Embodiment
Tavares, Elizabeth and Johnson, Laurie. 2022. "Introduction: Repertory, Dramaturgy, and Embodiment." Early Theatre: a journal associated with the Records of Early English Drama. 25 (2), pp. 115-130. https://doi.org/10.12745/et.25.2.4732Reassessing Early Theatre Patronage with New Perspectives on John Dudley
Johnson, Laurie. 2022. "Reassessing Early Theatre Patronage with New Perspectives on John Dudley." Shakespeare Studies: an annual gathering of research, criticism and review. 50, pp. 153-171.Bowen's recesses: from realism to inter-objectivity
Johnson, Laurie. 2019. "Bowen's recesses: from realism to inter-objectivity." Gildersleeve, Jessica and Smith, Patrica Juliana (ed.) Elizabeth Bowen: theory, thought and things. Edinburgh. Edinburgh University Press. pp. 127-144'The end of all': how a forgotten map helped us forget Newington Butts
Johnson, Laurie. 2020. "'The end of all': how a forgotten map helped us forget Newington Butts." Norrie, Aidan and Houlahan, Mark (ed.) New directions in early modern English drama: edges, spaces, intersections. Berlin / Boston. De Gruyter Open Sp. z o.o.. pp. 151-174Puck, Philostrate and the locus of A Midsummer Night's Dream's topical allegory
Johnson, Laurie. 2020. "Puck, Philostrate and the locus of A Midsummer Night's Dream's topical allegory." Bladen, Victoria and Brailowsky, Yan (ed.) Shakespeare and the supernatural. Manchester, United Kingdom. Manchester University Press. pp. 157-172Not So Tedious Ways to Think about the Locations of the Early Playhouses
Johnson, Laurie. 2020. "Not So Tedious Ways to Think about the Locations of the Early Playhouses." Hopkins, Lisa and Angus, Bill (ed.) Reading the Road, from Shakespeare's Crossways to Bunyan's Highways. Edinburgh, United Kingdom. Edinburgh University Press. pp. 107-126Unique lines and the ambient heart of Q1 Hamlet
Johnson, Laurie. 2019. "Unique lines and the ambient heart of Q1 Hamlet." Critical Survey. 31 (1/2), pp. 130-143. https://doi.org/10.3167/cs.2019.31010210From guilds to state censors: early modern stationers, regulation, and printing plays
Johnson, Laurie. 2019. "From guilds to state censors: early modern stationers, regulation, and printing plays." Baker, Dallas John, Brien, Donna Lee and Webb, Jen (ed.) Publishing and culture. Newcastle Upon Tyne, United Kingdom. Cambridge Scholars Publishing. pp. 260-273Thomas Cavendish on the early modern stage
Johnson, Laurie and McInnis, David. 2018. "Thomas Cavendish on the early modern stage." Notes & Queries. https://doi.org/10.1093/notesj/gjy139Who performed at Newington Butts in 1586?
Johnson, Laurie. 2018. "Who performed at Newington Butts in 1586?" Early Theatre: a journal associated with the Records of Early English Drama. 21 (2), pp. 29-48. https://doi.org/10.12745/et.21.2.3581Shakespeare source study in the age of Google: revisiting Greenblatt's elephants and Horatio's ground
Greatley-Hirsch, Brett and Johnson, Laurie. 2018. "Shakespeare source study in the age of Google: revisiting Greenblatt's elephants and Horatio's ground." Britton, Dennis Austin and Walter, Melissa (ed.) Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies. United States. Routledge. pp. 253-278Shakespeare's lost playhouse: eleven days at Newington Butts
Johnson, Laurie. 2018. Shakespeare's lost playhouse: eleven days at Newington Butts. New York. Routledge.The two names of Newington Butts
Johnson, Laurie. 2017. "The two names of Newington Butts." Shakespeare Quarterly. 68 (2), pp. 192-198. https://doi.org/10.1353/shq.2017.0019The possibility of saying in the early modern playhouses
Johnson, Laurie. 2017. "The possibility of saying in the early modern playhouses." Textual Practice. https://doi.org/10.1080/0950236X.2016.1277258Pictures of Lyly: digital corruptions and biographical truths
Johnson, Laurie. 2017. "Pictures of Lyly: digital corruptions and biographical truths." Baker, Dallas john, Brien, Donna Lee and Sulway, Nike (ed.) Recovering history through fact and fiction: forgotten lives. Newcastle upon Tyne, United Kingdom. Cambridge Scholars Publishing. pp. 146-157Quaint knowledge: a 'body-mind' pattern across Shakespeare's career
Johnson, Laurie. 2014. "Quaint knowledge: a 'body-mind' pattern across Shakespeare's career." Kambaskovic, Danijela (ed.) Conjunctions of Mind, Soul and Body from Plato to the Enlightenment. Germany. Springer. pp. 279-301Re-cognising the body-mind in Shakespeare's theatre [Introduction]
Johnson, Laurie, Sutton, John and Tribble, Evelyn. 2014. "Re-cognising the body-mind in Shakespeare's theatre [Introduction]." Johnson, Laurie, Sutton, John and Tribble, Evelyn (ed.) Embodied cognition and Shakespeare's theatre: the early modern body-mind. Abingdon, OX. United Kingdom. Routledge. pp. 1-12Caesar in Elsinore and elsewhere: topicality and Roman history
Johnson, Laurie. 2016. "Caesar in Elsinore and elsewhere: topicality and Roman history." Early Modern Literary Studies: a journal of sixteenth- and seventeenth-century English literature.Pedagogy, place and performance: the role of touring performing arts in regional Queensland - a review of Opera Queensland’s project Rossini
Hickey, Andrew, Johnson, Laurie, Scollen, Rebecca and Forbes, Melissa. 2016. Pedagogy, place and performance: the role of touring performing arts in regional Queensland - a review of Opera Queensland’s project Rossini. Toowoomba, Australia. University of Southern Queensland.The distributed consciousness of Shakespeare's theatre
Johnson, Laurie. 2016. "The distributed consciousness of Shakespeare's theatre." Budra, Paul and Werier, Clifford (ed.) Shakespeare and consciousness. New York. Palgrave Macmillan. pp. 119-138Unremembered: memorial, sentimentality, dislocation
Johnson, Laurie. 2015. "Unremembered: memorial, sentimentality, dislocation." Goodall, Jane and Lee, Christopher (ed.) Trauma and public memory. London. Palgrave Macmillan. pp. 70-84The Tain of Hamlet
Johnson, Laurie. 2013. The Tain of Hamlet. Newcastle upon Tyne, United Kingdom. Cambridge Scholars Publishing.Unthinking Hamlet: stage, page, and critical thought
Johnson, Laurie. 2013. "Unthinking Hamlet: stage, page, and critical thought." Flaherty, Kate, Gay, Penny and Semler, L. E. (ed.) Teaching Shakespeare beyond the centre: Australasian perspectives. Basingstoke, Hants. United Kingdom. Palgrave Macmillan. pp. 63-74Cryptonymic secretion: on the kind-ness of strangers
Johnson, Laurie. 2013. "Cryptonymic secretion: on the kind-ness of strangers." Thwaites, Tony and Seaboyer, Judith (ed.) Re-reading Derrida: perspectives on mourning and its hospitalities. Lanham, MD. United States. Lexington Books. pp. 117-129Spectral machinery (or beyond essence and system)
Johnson, Laurie. 2012. "Spectral machinery (or beyond essence and system)." The Journal of Philosophy. 7 (17), pp. 40-59. https://doi.org/10.5840/jphilnepal20127175'To pay our wonted tribute,' or topical specificity in Cymbeline
Johnson, Laurie. 2012. "'To pay our wonted tribute,' or topical specificity in Cymbeline." Harmes, Marcus K., Henderson, Lindsay, Harmes, Barbara and Antonio, Amy (ed.) The British World: Religion, Memory, Society, Culture (2012). Toowoomba, Australia 02 - 05 Jul 2012 Toowoomba, Australia.Between form and function: history and identity in the blogosphere
Johnson, Laurie. 2012. "Between form and function: history and identity in the blogosphere." Cultural Studies Review. 18 (1), pp. 59-85."Nobler in the mind": The emergence of early modern anxiety
Johnson, Laurie. 2009. ""Nobler in the mind": The emergence of early modern anxiety." AUMLA: Journal of the Australasian Universities Language and Literature Association. pp. 141-156.The idea of deep surfaces in cultural studies
Johnson, Laurie. 2009. "The idea of deep surfaces in cultural studies." International Journal of Interdisciplinary Social Sciences. 3 (12), pp. 105-111.The Unstated
Johnson, Laurie. 2007. "The Unstated ." Continuum: Journal of Media and Cultural Studies. 21 (4), pp. 521-531. https://doi.org/10.1080/10304310701629987Ill-disciplined (bodies of thought)
Johnson, Laurie. 2007. "Ill-disciplined (bodies of thought)." International Journal of Interdisciplinary Social Sciences. 2 (1), pp. 37-42.RSVP
Johnson, Laurie. 2000. "RSVP." Paragraph: a journal of modern critical theory. 23 (2), pp. 157-172.I wish to dream and other impossible effects of the crypt
Johnson, Laurie. 2005. "I wish to dream and other impossible effects of the crypt." Psychoanalytic Review. 92 (5), pp. 735-746. https://doi.org/10.1521/prev.2005.92.5.701Rapt in secret studies and emergence in Shakespeare studies [Introduction]
Chalk, Darryl and Johnson, Laurie. 2010. "Rapt in secret studies and emergence in Shakespeare studies [Introduction]." Chalk, Darryl and Johnson, Laurie (ed.) Rapt in secret studies: emerging Shakespeares. Newcastle upon Tyne, United Kingdom. Cambridge Scholars Publishing. pp. 1-8Shakespeare's gifts: self-fashioning, authorising, Stephen Greenblatt
Johnson, Laurie. 2010. "Shakespeare's gifts: self-fashioning, authorising, Stephen Greenblatt." Chalk, Darryl and Johnson, Laurie (ed.) Rapt in secret studies: emerging Shakespeares. Newcastle upon Tyne, United Kigndom. Cambridge Scholars Publishing. pp. 329-346GUI faces/sticky ethics
Johnson, Laurie. 2010. "GUI faces/sticky ethics." Transformations.A ghost of a chance, after all
Johnson, Laurie. 2009. "A ghost of a chance, after all." Derrida Today. 2 (2), pp. 166-176. https://doi.org/10.3366/E1754850009000505