Traumatic cosmopolitanism: Eleanor Dark and the world at war

Article

Gildersleeve, Jessica. 2016. "Traumatic cosmopolitanism: Eleanor Dark and the world at war." Hecate: an interdisciplinary journal of women's liberation. 41 (1/2), pp. 7-17.
Article Title

Traumatic cosmopolitanism: Eleanor Dark and the world at war

ERA Journal ID32790
Article CategoryArticle
Authors
AuthorGildersleeve, Jessica
Journal TitleHecate: an interdisciplinary journal of women's liberation
Journal Citation41 (1/2), pp. 7-17
Number of Pages11
Year2016
Place of PublicationBrisbane, Australia
ISSN0311-4198
1839-4213
Web Address (URL)http://search.informit.com.au/fullText;dn=325143792681187;res=IELAPA
Abstract

This essay argues that women writers working during and prior to the Second World War produced works which might be identified as examples of ‘traumatic cosmopolitanism’ – that is, a cosmopolitanism forged through the shared experience of trauma. In narrativising their shared, global traumatic experience, and in particular, the experience of being a writer during this time, wartime women writers effectively construct a community of (thinking about and writing about) suffering which moves beyond the national discourses of jingoism and ignorance that can perpetuate trauma and violence. With a focus on Eleanor Dark’s wartime novel The Little Company (1945), this essay suggests that Australian women writers of the Second World War are at the vanguard of such ethical projects for the ways in which they challenge the lapse into nationalist dichotomous discourses of war, and considers the dual sense of psychological threat and the ethical responsibility of the writer which is figured in such works.

KeywordsEleanor Dark, World War Two, Australian women's writing, trauma, ethics
ANZSRC Field of Research 2020470502. Australian literature (excl. Aboriginal and Torres Strait Islander literature)
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Byline AffiliationsSchool of Arts and Communication
Institution of OriginUniversity of Southern Queensland
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Gildersleeve, Jessica. 2013. "The spectre and the stage: reading and ethics at the intersection of psychoanalysis, the neo-Victorian, and the gothic." Australasian Journal of Victorian Studies. 18 (3), pp. 99-108.
Gender, memory and illness in Jean Rhys's Wide Sargasso Sea
Gildersleeve, Jessica. 2010. "Gender, memory and illness in Jean Rhys's Wide Sargasso Sea." McClinton-Temple, Jennifer (ed.) Encyclopedia of themes in literature, volume 3. New York, NY. United States. Facts on File. pp. 901-904
Her story: Liza's England (The Century's Daughter)
Gildersleeve, Jessica. 2011. "Her story: Liza's England (The Century's Daughter)." Wheeler, Pat (ed.) Re-reading Pat Barker. Newcastle upon Tyne, United Kingdom. Cambridge Scholars Publishing. pp. 25-41
Regarding violence in Pat Barker's Double Vision
Gildersleeve, Jessica. 2009. "Regarding violence in Pat Barker's Double Vision." Peer English. 4, pp. 32-46.
Monstrous child: Rosamond Lehmann's war writing
Gildersleeve, Jessica. 2011. "Monstrous child: Rosamond Lehmann's war writing." Philament. 17 (17), pp. 1-11.
Jean Rhys's Tropographies: unmappable identity and the tropical landscape in Wide Sargasso Sea and selected short fiction
Gildersleeve, Jessica. 2011. "Jean Rhys's Tropographies: unmappable identity and the tropical landscape in Wide Sargasso Sea and selected short fiction." eTropic: electronic journal of studies in the tropics. 10, pp. 32-38.
Trauma, memory and landscape in Queensland: women writing 'A New Alphabet of Moss and Water'
Gildersleeve, Jessica. 2012. "Trauma, memory and landscape in Queensland: women writing 'A New Alphabet of Moss and Water'." Queensland Review. 19 (2), pp. 205-216. https://doi.org/10.1017/qre.2012.23