Neo-gothic dinosaurs and the haunting of history

Edited book (chapter)

Gildersleeve, Jessica and Sulway, Nike. 2020. "Neo-gothic dinosaurs and the haunting of history." Maier, Sarah E. and Ayres, Brenda (ed.) Neo-gothic narratives: illusory allusions from the past. London, United Kingdom. Anthem Press. pp. 141-154
Chapter Title

Neo-gothic dinosaurs and the haunting of history

Book Chapter CategoryEdited book (chapter)
ERA Publisher ID1145
Book TitleNeo-gothic narratives: illusory allusions from the past
AuthorsGildersleeve, Jessica (Author) and Sulway, Nike (Author)
EditorsMaier, Sarah E. and Ayres, Brenda
Page Range141-154
Chapter Number9
Number of Pages14
Year2020
PublisherAnthem Press
Place of PublicationLondon, United Kingdom
ISBN9781785272172
Web Address (URL)https://www.anthempress.com/neo-gothic-narratives-hb
Abstract

Marie-Louise Kohlke and Christian Gutleben have identified the Neo-Victorian Gothic as a mode particularly suited to political and ethical cultural engagement. Indeed, the Gothic more generally has always been a genre which attends to the social and cultural problems faced in the contemporary moment, precisely because of its interest in the strange, the abject, the Other. This essay examines the dinosaur narrative as a particular kind of Neo-Gothic uniquely positioned to address the collapse of moral, spatial and historical boundaries. Addressing the range of films in the Jurassic Park series (1993-2018), as well as Ray Bradbury’s ‘A Sound of Thunder’ (1952) and what was perhaps the first ‘dinosaur novel,’ Jules Verne’s Journey to the Centre of the Earth (1864), this essay will explore the dinosaur as a figure of the limit of our Gothic imagination. In particular, however, the essay will focus on the specific engagement with Gothic tropes in the most recent Jurassic Park film, Jurassic World: Fallen Kingdom (2018): the isolated mansion, the rich benefactor, the orphan child, the presence of family secrets, the haunting or stalking figure. In these ways, and in a contemporary context concerned with environmental collapse, the dinosaur and its impossible presence is reinvigorated in the conservatism of the Neo-Gothic narrative not as a warning, but as a manageable problem.

Keywordsneo-gothic, dinosaurs, Jurassic Park, gothic, gender, family
ANZSRC Field of Research 2020470599. Literary studies not elsewhere classified
470214. Screen and media culture
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Byline AffiliationsSchool of Humanities and Communication
Institution of OriginUniversity of Southern Queensland
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Gildersleeve, Jessica. 2015. "Where is she? Katherine Mansfield and Elizabeth Bowen." Ailwood, Sarah and Harvey, Melinda (ed.) Katherine Mansfield and literary influence. Edinburgh. Edinburgh University Press. pp. 35-47
The Karen Joy Fowler Book Club [Short story]
Sulway, Nike. 2015. "The Karen Joy Fowler Book Club [Short story]." Lightspeed Magazine.
'Ropes of stories': Jean Rhys, Vivienne Cleven, and Melissa Lucashenko
Gildersleeve, Jessica. 2015. "'Ropes of stories': Jean Rhys, Vivienne Cleven, and Melissa Lucashenko." Queensland Review. 22 (1), pp. 75-84. https://doi.org/10.1017/qre.2015.7
The nature of things [Short story]
Sulway, Nike. 2015. "The nature of things [Short story]." Review of Australian Fiction. 13 (4).
Candlewick [Short story]
Sulway, Nike. 2015. "Candlewick [Short story]." Fourteen Hills: The San Francisco State University Review. 21 (3).
Death, dildoes and daffodils: a queer winter's tale
Sulway, Nike. 2014. "Death, dildoes and daffodils: a queer winter's tale." Johnson, Laurie and Chalk, Darryl (ed.) 12th Biennial International Conference of the Australian and New Zealand Shakespeare Association (ANZSA 2014): Shakespearean Perceptions. Toowoomba, Australia 02 - 04 Oct 2014
Happily ever after, almost
Sulway, Nike. 2014. "Happily ever after, almost." Writing Queensland.
The wine-dark sea
Bourke, N. A.. 2011. The wine-dark sea. Toowoomba, Queensland.
Elizabeth Bowen and the writing of trauma: the ethics of survival
Gildersleeve, Jessica. 2014. Elizabeth Bowen and the writing of trauma: the ethics of survival. Amsterdam and New York. Rodopi.
'We're all strangers': post-war anxiety in Agatha Christie's The Mousetrap
Gildersleeve, Jessica. 2014. "'We're all strangers': post-war anxiety in Agatha Christie's The Mousetrap." Clues: a journal of detection. 32 (2), pp. 115-123. https://doi.org/10.3172/CLU.32.2.115
The lost man [Short story]
Sulway, Nike. 2013. "The lost man [Short story]." Southerly: a review of Australian literature. 73 (3), pp. 153-163.
Behind the green door: romantic suffering and Australian lesbian identity in the mid-twentieth century
Sulway, Nike. 2012. "Behind the green door: romantic suffering and Australian lesbian identity in the mid-twentieth century." Willett, Graham (ed.) 11th Australian Homosexual Histories Conference (ALGA 2012). Brisbane, Australia 08 - 09 Jun 2012
The salted heart [Short story]
Sulway, N. A.. 2011. "The salted heart [Short story]." Thompson, Stephen (ed.) Mythic resonance. Brisbane, Australia. Esstee Media. pp. 11-30
Their golden daughters
Sulway, N. A.. 2011. "Their golden daughters." Kenny, John (ed.) Box of delights. Dublin, Ireland. Aeon Press. pp. 32-38
The fox's child [Short story]
Sulway, Nike. 2012. "The fox's child [Short story]." Andromeda Spaceways Inflight Magazine.
My Queensland: this is not for you
Bourke, Nike. 2008. "My Queensland: this is not for you." Griffith Review.
Muddy death: fate, femininity and mourning in Jean Rhys's Good Morning Midnight
Gildersleeve, Jessica. 2010. "Muddy death: fate, femininity and mourning in Jean Rhys's Good Morning Midnight." Wisker, Gina and Dodgson-Katiyo, Pauline (ed.) Rites of passage in postcolonial women's writing. Amsterdam, Netherlands. Rodopi. pp. 227-244
My Queensland
Shapcott, Thomas, Winch, Tara June, Sheahan-Bright, Robyn, Bourke, Nike and Elliott, Will. 2008. "My Queensland." Griffith Review.
Arboretum
Bourke, N. A.. 2009. "Arboretum." The Lifted Brow.
Gibraltar
Bourke, N. A.. 2010. "Gibraltar." The Lifted Brow.
Her lover's golden hair [Short story]
Sulway, Nike. 2011. "Her lover's golden hair [Short story]." Fantasy Magazine. 57.
Rupetta
Sulway, N. A.. 2013. Rupetta. Leyburn, North York, United Kingdom. Tartarus Press.
The spectre and the stage: reading and ethics at the intersection of psychoanalysis, the neo-Victorian, and the gothic
Gildersleeve, Jessica. 2013. "The spectre and the stage: reading and ethics at the intersection of psychoanalysis, the neo-Victorian, and the gothic." Australasian Journal of Victorian Studies. 18 (3), pp. 99-108.
Gender, memory and illness in Jean Rhys's Wide Sargasso Sea
Gildersleeve, Jessica. 2010. "Gender, memory and illness in Jean Rhys's Wide Sargasso Sea." McClinton-Temple, Jennifer (ed.) Encyclopedia of themes in literature, volume 3. New York, NY. United States. Facts on File. pp. 901-904
Her story: Liza's England (The Century's Daughter)
Gildersleeve, Jessica. 2011. "Her story: Liza's England (The Century's Daughter)." Wheeler, Pat (ed.) Re-reading Pat Barker. Newcastle upon Tyne, United Kingdom. Cambridge Scholars Publishing. pp. 25-41
Regarding violence in Pat Barker's Double Vision
Gildersleeve, Jessica. 2009. "Regarding violence in Pat Barker's Double Vision." Peer English. 4, pp. 32-46.
Monstrous child: Rosamond Lehmann's war writing
Gildersleeve, Jessica. 2011. "Monstrous child: Rosamond Lehmann's war writing." Philament. 17 (17), pp. 1-11.
Jean Rhys's Tropographies: unmappable identity and the tropical landscape in Wide Sargasso Sea and selected short fiction
Gildersleeve, Jessica. 2011. "Jean Rhys's Tropographies: unmappable identity and the tropical landscape in Wide Sargasso Sea and selected short fiction." eTropic: electronic journal of studies in the tropics. 10, pp. 32-38.
Trauma, memory and landscape in Queensland: women writing 'A New Alphabet of Moss and Water'
Gildersleeve, Jessica. 2012. "Trauma, memory and landscape in Queensland: women writing 'A New Alphabet of Moss and Water'." Queensland Review. 19 (2), pp. 205-216. https://doi.org/10.1017/qre.2012.23