Nowadays: trauma and modernity in Agatha Christie's late Poirot novels

Article

Gildersleeve, Jessica. 2016. "Nowadays: trauma and modernity in Agatha Christie's late Poirot novels." Clues: a journal of detection. 34 (1), pp. 96-104.
Article Title

Nowadays: trauma and modernity in Agatha Christie's late Poirot novels

ERA Journal ID11759
Article CategoryArticle
Authors
AuthorGildersleeve, Jessica
Journal TitleClues: a journal of detection
Journal Citation34 (1), pp. 96-104
Number of Pages9
Year2016
Place of PublicationUnited States
ISSN0742-4248
1940-3046
Web Address (URL)https://books.google.com.au/books?id=o3MHDAAAQBAJ&pg=PT5&lpg=PT5&dq=Nowadays:+trauma+and+modernity+in+Agatha+Christie's+late&source=bl&ots=EU2J6OOx3m&sig=2xCpGASBrCjCS36lzL-Cc_AGkzY&hl=en&sa=X&ved=0ahUKEwiNqeX4-djNAhVBtJQKHTLcD2wQ6AEIHTAA#v=onepage&q=Nowa
Abstract

Agatha Christie's last-written Hercule Poirot novels, Hallowe'en Party (1969) and Elephants Can Remember (1972), enact a social and cultural anxiety arising from the problems of modernity and the need to know and understand the past so as to prevent its traumatic return. Only in this way can the detective enact justice.

KeywordsAgatha Christie; detective fiction; Hercule Poirot; postwar anxiety; trauma
ANZSRC Field of Research 2020470504. British and Irish literature
470514. Literary theory
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Byline AffiliationsSchool of Arts and Communication
Institution of OriginUniversity of Southern Queensland
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Gildersleeve, Jessica. 2014. Elizabeth Bowen and the writing of trauma: the ethics of survival. Amsterdam and New York. Rodopi.
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Gildersleeve, Jessica. 2014. "'We're all strangers': post-war anxiety in Agatha Christie's The Mousetrap." Clues: a journal of detection. 32 (2), pp. 115-123. https://doi.org/10.3172/CLU.32.2.115
Muddy death: fate, femininity and mourning in Jean Rhys's Good Morning Midnight
Gildersleeve, Jessica. 2010. "Muddy death: fate, femininity and mourning in Jean Rhys's Good Morning Midnight." Wisker, Gina and Dodgson-Katiyo, Pauline (ed.) Rites of passage in postcolonial women's writing. Amsterdam, Netherlands. Rodopi. pp. 227-244
The spectre and the stage: reading and ethics at the intersection of psychoanalysis, the neo-Victorian, and the gothic
Gildersleeve, Jessica. 2013. "The spectre and the stage: reading and ethics at the intersection of psychoanalysis, the neo-Victorian, and the gothic." Australasian Journal of Victorian Studies. 18 (3), pp. 99-108.
Gender, memory and illness in Jean Rhys's Wide Sargasso Sea
Gildersleeve, Jessica. 2010. "Gender, memory and illness in Jean Rhys's Wide Sargasso Sea." McClinton-Temple, Jennifer (ed.) Encyclopedia of themes in literature, volume 3. New York, NY. United States. Facts on File. pp. 901-904
Her story: Liza's England (The Century's Daughter)
Gildersleeve, Jessica. 2011. "Her story: Liza's England (The Century's Daughter)." Wheeler, Pat (ed.) Re-reading Pat Barker. Newcastle upon Tyne, United Kingdom. Cambridge Scholars Publishing. pp. 25-41
Regarding violence in Pat Barker's Double Vision
Gildersleeve, Jessica. 2009. "Regarding violence in Pat Barker's Double Vision." Peer English. 4, pp. 32-46.
Monstrous child: Rosamond Lehmann's war writing
Gildersleeve, Jessica. 2011. "Monstrous child: Rosamond Lehmann's war writing." Philament. 17 (17), pp. 1-11.
Jean Rhys's Tropographies: unmappable identity and the tropical landscape in Wide Sargasso Sea and selected short fiction
Gildersleeve, Jessica. 2011. "Jean Rhys's Tropographies: unmappable identity and the tropical landscape in Wide Sargasso Sea and selected short fiction." eTropic: electronic journal of studies in the tropics. 10, pp. 32-38.
Trauma, memory and landscape in Queensland: women writing 'A New Alphabet of Moss and Water'
Gildersleeve, Jessica. 2012. "Trauma, memory and landscape in Queensland: women writing 'A New Alphabet of Moss and Water'." Queensland Review. 19 (2), pp. 205-216. https://doi.org/10.1017/qre.2012.23