The violent pacifist: ethics and disorder in Sarah Waters' The Paying Guests
Article
Gildersleeve, Jessica and Sulway, Nike. 2019. "The violent pacifist: ethics and disorder in Sarah Waters' The Paying Guests." English. 68 (260), pp. 67-88. https://doi.org/10.1093/english/efy057
| Article Title | The violent pacifist: ethics and disorder in Sarah Waters' The Paying Guests |
|---|---|
| ERA Journal ID | 11821 |
| Article Category | Article |
| Authors | Gildersleeve, Jessica (Author) and Sulway, Nike (Author) |
| Journal Title | English |
| Journal Citation | 68 (260), pp. 67-88 |
| Number of Pages | 22 |
| Year | 2019 |
| Place of Publication | United Kingdom |
| ISSN | 0013-8215 |
| 1756-1124 | |
| Digital Object Identifier (DOI) | https://doi.org/10.1093/english/efy057 |
| Web Address (URL) | https://academic.oup.com/english/article/68/260/67/5320317 |
| Abstract | Sarah Waters’ The Paying Guests (2014) deals with the aftermath of the First World War and with the tumultuous social changes and cultural trauma experienced in its wake. However, its gradual slippage from the drama of global warfare to the shabbiness of domestic crime marks a broader observation about the failure of both the war and the law to deliver justice. In this post-war environment there is no longer any certainty about morality, guilt, or responsibility. ‘Being good’ and ‘doing good’, Waters’ novel shows, are no longer as synonymous as they might once have appeared. |
| Keywords | First World War; social changes; cultural trauma |
| ANZSRC Field of Research 2020 | 470504. British and Irish literature |
| 470514. Literary theory | |
| Public Notes | Files associated with this item cannot be displayed due to copyright restrictions. |
| Byline Affiliations | School of Arts and Communication |
| Institution of Origin | University of Southern Queensland |
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Gildersleeve, Jessica. 2014. Elizabeth Bowen and the writing of trauma: the ethics of survival. Amsterdam and New York. Rodopi.'We're all strangers': post-war anxiety in Agatha Christie's The Mousetrap
Gildersleeve, Jessica. 2014. "'We're all strangers': post-war anxiety in Agatha Christie's The Mousetrap." Clues: a journal of detection. 32 (2), pp. 115-123. https://doi.org/10.3172/CLU.32.2.115The lost man [Short story]
Sulway, Nike. 2013. "The lost man [Short story]." Southerly: a review of Australian literature. 73 (3), pp. 153-163.Behind the green door: romantic suffering and Australian lesbian identity in the mid-twentieth century
Sulway, Nike. 2012. "Behind the green door: romantic suffering and Australian lesbian identity in the mid-twentieth century." Willett, Graham (ed.) 11th Australian Homosexual Histories Conference (ALGA 2012). Brisbane, Australia 08 - 09 Jun 2012The salted heart [Short story]
Sulway, N. A.. 2011. "The salted heart [Short story]." Thompson, Stephen (ed.) Mythic resonance. Brisbane, Australia. Esstee Media. pp. 11-30Their golden daughters
Sulway, N. A.. 2011. "Their golden daughters." Kenny, John (ed.) Box of delights. Dublin, Ireland. Aeon Press. pp. 32-38The fox's child [Short story]
Sulway, Nike. 2012. "The fox's child [Short story]." Andromeda Spaceways Inflight Magazine.My Queensland: this is not for you
Bourke, Nike. 2008. "My Queensland: this is not for you." Griffith Review.Muddy death: fate, femininity and mourning in Jean Rhys's Good Morning Midnight
Gildersleeve, Jessica. 2010. "Muddy death: fate, femininity and mourning in Jean Rhys's Good Morning Midnight." Wisker, Gina and Dodgson-Katiyo, Pauline (ed.) Rites of passage in postcolonial women's writing. Amsterdam, Netherlands. Rodopi. pp. 227-244My Queensland
Shapcott, Thomas, Winch, Tara June, Sheahan-Bright, Robyn, Bourke, Nike and Elliott, Will. 2008. "My Queensland." Griffith Review.Arboretum
Bourke, N. A.. 2009. "Arboretum." The Lifted Brow.Gibraltar
Bourke, N. A.. 2010. "Gibraltar." The Lifted Brow.Her lover's golden hair [Short story]
Sulway, Nike. 2011. "Her lover's golden hair [Short story]." Fantasy Magazine. 57.Rupetta
Sulway, N. A.. 2013. Rupetta. Leyburn, North York, United Kingdom. Tartarus Press.The spectre and the stage: reading and ethics at the intersection of psychoanalysis, the neo-Victorian, and the gothic
Gildersleeve, Jessica. 2013. "The spectre and the stage: reading and ethics at the intersection of psychoanalysis, the neo-Victorian, and the gothic." Australasian Journal of Victorian Studies. 18 (3), pp. 99-108.Gender, memory and illness in Jean Rhys's Wide Sargasso Sea
Gildersleeve, Jessica. 2010. "Gender, memory and illness in Jean Rhys's Wide Sargasso Sea." McClinton-Temple, Jennifer (ed.) Encyclopedia of themes in literature, volume 3. New York, NY. United States. Facts on File. pp. 901-904Her story: Liza's England (The Century's Daughter)
Gildersleeve, Jessica. 2011. "Her story: Liza's England (The Century's Daughter)." Wheeler, Pat (ed.) Re-reading Pat Barker. Newcastle upon Tyne, United Kingdom. Cambridge Scholars Publishing. pp. 25-41Regarding violence in Pat Barker's Double Vision
Gildersleeve, Jessica. 2009. "Regarding violence in Pat Barker's Double Vision." Peer English. 4, pp. 32-46.Monstrous child: Rosamond Lehmann's war writing
Gildersleeve, Jessica. 2011. "Monstrous child: Rosamond Lehmann's war writing." Philament. 17 (17), pp. 1-11.Jean Rhys's Tropographies: unmappable identity and the tropical landscape in Wide Sargasso Sea and selected short fiction
Gildersleeve, Jessica. 2011. "Jean Rhys's Tropographies: unmappable identity and the tropical landscape in Wide Sargasso Sea and selected short fiction." eTropic: electronic journal of studies in the tropics. 10, pp. 32-38.Trauma, memory and landscape in Queensland: women writing 'A New Alphabet of Moss and Water'
Gildersleeve, Jessica. 2012. "Trauma, memory and landscape in Queensland: women writing 'A New Alphabet of Moss and Water'." Queensland Review. 19 (2), pp. 205-216. https://doi.org/10.1017/qre.2012.23This item comprises data from the following sources: Scopus