The violent pacifist: ethics and disorder in Sarah Waters' The Paying Guests
Article
Gildersleeve, Jessica and Sulway, Nike. 2019. "The violent pacifist: ethics and disorder in Sarah Waters' The Paying Guests." English. 68 (260), pp. 67-88. https://doi.org/10.1093/english/efy057
| Article Title | The violent pacifist: ethics and disorder in Sarah Waters' The Paying Guests |
|---|---|
| ERA Journal ID | 11821 |
| Article Category | Article |
| Authors | Gildersleeve, Jessica (Author) and Sulway, Nike (Author) |
| Journal Title | English |
| Journal Citation | 68 (260), pp. 67-88 |
| Number of Pages | 22 |
| Year | 2019 |
| Place of Publication | United Kingdom |
| ISSN | 0013-8215 |
| 1756-1124 | |
| Digital Object Identifier (DOI) | https://doi.org/10.1093/english/efy057 |
| Web Address (URL) | https://academic.oup.com/english/article/68/260/67/5320317 |
| Abstract | Sarah Waters’ The Paying Guests (2014) deals with the aftermath of the First World War and with the tumultuous social changes and cultural trauma experienced in its wake. However, its gradual slippage from the drama of global warfare to the shabbiness of domestic crime marks a broader observation about the failure of both the war and the law to deliver justice. In this post-war environment there is no longer any certainty about morality, guilt, or responsibility. ‘Being good’ and ‘doing good’, Waters’ novel shows, are no longer as synonymous as they might once have appeared. |
| Keywords | First World War; social changes; cultural trauma |
| ANZSRC Field of Research 2020 | 470504. British and Irish literature |
| 470514. Literary theory | |
| Public Notes | Files associated with this item cannot be displayed due to copyright restrictions. |
| Byline Affiliations | School of Arts and Communication |
| Institution of Origin | University of Southern Queensland |
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Gildersleeve, Jessica and Sulway, Nike. 2020. "Neo-gothic dinosaurs and the haunting of history." Maier, Sarah E. and Ayres, Brenda (ed.) Neo-gothic narratives: illusory allusions from the past. London, United Kingdom. Anthem Press. pp. 141-154Letter to the Australians
Gildersleeve, Jessica. 2020. "Letter to the Australians." Meanjin. 79 (1), pp. 193-194.Introduction: thinking in/about Bowen
Gildersleeve, Jessica and Smith, Patricia Juliana. 2019. "Introduction: thinking in/about Bowen." Gildersleeve, Jessica and Smith, Patricia Juliana (ed.) Elizabeth Bowen: theory, thought and things. Edinburgh. Edinburgh University Press. pp. 1-8Elizabeth Bowen and the pleasure of the text
Gildersleeve, Jessica. 2019. "Elizabeth Bowen and the pleasure of the text." Gildersleeve, Jessica and Smith, Patricia Juliana (ed.) Elizabeth Bowen: theory, thought and things. Edinburgh. Edinburgh University Press. pp. 48-61The frog's prince; or, Iron Henry [Short story]
Sulway, N. A.. 2019. The frog's prince; or, Iron Henry [Short story]. United kingdom. TTA Press.All the things I kept [Original long-form poem]
Sulway, Nike. 2019. All the things I kept [Original long-form poem]. Carlton South, Australia. Cordite Publishing Inc..Thea Astley’s modernism of the 'Deep North', or on (un)kindness
Gildersleeve, Jessica. 2019. "Thea Astley’s modernism of the 'Deep North', or on (un)kindness." Queensland Review. 26 (2), pp. 245-55. https://doi.org/10.1017/qre.2019.30'Weird Melancholy' and the modern television outback: rage, shame and violence in Wake in Fright and Mystery Road
Gildersleeve, Jessica. 2019. "'Weird Melancholy' and the modern television outback: rage, shame and violence in Wake in Fright and Mystery Road." M/C Journal. 22 (1). https://doi.org/10.5204/mcj.1500'His unspoken natural centre': James Tiptree Jr as the 'Other I'
Sulway, Nike. 2018. "'His unspoken natural centre': James Tiptree Jr as the 'Other I'." Writing from below. 4 (1), pp. 1-9.The state of play in Australian fairy tale: where to now?
Do Rozario, Rebecca-Anne, Sulway, Nike and Calderone, Belinda. 2017. "The state of play in Australian fairy tale: where to now?" TEXT: Journal of Writing and Writing Courses. Special Issue 43, pp. 1-5.Pursuit, willfulness, and the strangeness of strangers
Sulway, Nike. 2019. "Pursuit, willfulness, and the strangeness of strangers." Journal of the Fantastic in the Arts. 30 (1), pp. 42-51.Exquisite Cadaver: useful writing experiment or just a good game?
Baker, Dallas J., Webb, Jen and Sulway, Nike. 2015. "Exquisite Cadaver: useful writing experiment or just a good game?" The Conversation.Introduction: the state of play in Australian fairy tale: where to now?
Do Rozario, Rebecca-Anne, Sulway, Nike and Calderone, Belinda. 2017. "Introduction: the state of play in Australian fairy tale: where to now?" TEXT: Journal of Writing and Writing Courses. 21 (Special Issue 43), pp. 1-5. https://doi.org/10.52086/001c.25871Hyperaesthesia and futile rage: gender, anxiety and protest in Non-Combatants and Others
Gildersleeve, Jessica. 2017. "Hyperaesthesia and futile rage: gender, anxiety and protest in Non-Combatants and Others." Macdonald, Kate (ed.) Rose Macaulay, gender, and modernity. United Kingdom. Routledge. pp. 25-38David Copperfield by Charles Dickens
Sulway, Nike. 2018. "David Copperfield by Charles Dickens." Going Down Swinging.Saltpan [Short story]
Sulway, Nike. 2015. "Saltpan [Short story]." Meanjin. 74 (4), pp. 146-151.Rupetta
Sulway, N. A.. 2013. Rupetta. Leyburn, North York, United Kingdom. Tartarus Press.'A date with Barbara': paracosms of the self in biographies of Barbara Newhall Follett
Sulway, Nike. 2017. "'A date with Barbara': paracosms of the self in biographies of Barbara Newhall Follett." Baker, Dallas John, Brien, Donna Lee and Sulway, Nike (ed.) Recovering history through fact and fiction: forgotten Lives. Newcastle Upon Tyne, United Kingdom. Cambridge Scholars Publishing. pp. 53-67Recovering forgotten lives through fact and fiction
Brien, Donna Lee, Baker, Dallas John and Sulway, Nike. 2017. "Recovering forgotten lives through fact and fiction." Baker, Dallas John, Brien, Donna Lee and Sulway, Nike (ed.) Recovering history through fact and fiction: forgotten lives. Newcastle Upon Tyne, United Kingdom. Cambridge Scholars Publishing. pp. 2-10Night drive [Poem]
Sulway, Nike. 2017. Night drive [Poem]. Melbourne. Verity La.The beautiful husband [Short story]
Sulway, Nike. 2017. The beautiful husband [Short story]. Australia. Social Alternatives.Don't look now
Gildersleeve, Jessica. 2017. Don't look now. London, United Kingdom. Auteur.Remembering the First World War after 9/11: Pat Barker’s life class and Toby’s Room
Gildersleeve, Jessica. 2017. "Remembering the First World War after 9/11: Pat Barker’s life class and Toby’s Room." Gildersleeve, Jessica and Gehrmann, Richard (ed.) Memory and the wars on terror: Australian and British perspectives. Houndmills, United Kingdom. Palgrave Macmillan. pp. 111-123Christos Tsiolkas: the utopian vision
Gildersleeve, Jessica. 2017. Christos Tsiolkas: the utopian vision. Amherst, New York. Cambria Press.Memory and the wars on terror
Gildersleeve, Jessica and Gehrmann, Richard. 2017. "Memory and the wars on terror." Gildersleeve, Jessica and Gehrmann, Richard (ed.) Memory and the wars on terror: Australian and British perspectives. Houndmills, United Kingdom. Palgrave Macmillan. pp. 1-19Queensland modernisms
Gildersleeve, Jessica. 2016. "Queensland modernisms." Queensland Review. 23 (2), pp. 113-115. https://doi.org/10.1017/qre.2016.23‘He is telling us fairy tales’: parental anxiety and wartime childhood in Life is Beautiful, The Boy in the Striped Pajamas and Fairy Tales from Auschwitz
Gildersleeve, Jessica, Batorowicz, Beata, Gildersleeve J. and Batorowicz B.. 2018. "‘He is telling us fairy tales’: parental anxiety and wartime childhood in Life is Beautiful, The Boy in the Striped Pajamas and Fairy Tales from Auschwitz." Holocaust Studies. 24 (1), pp. 26-44. https://doi.org/10.1080/17504902.2017.1340074Dying in the first person
Sulway, Nike. 2016. Dying in the first person. Melbourne, Australia. Transit Lounge Publishing.Are you there? Can you forgive me?: The World to Come by Patrick West and Om Prakash Dwivedi (eds)
Sulway, Nike. 2015. "Are you there? Can you forgive me?: The World to Come by Patrick West and Om Prakash Dwivedi (eds)." TEXT: Journal of Writing and Writing Courses. 19 (1).An experiment in collaborative writing: day ten
Johnson, Marguerite, Nelson, Camilla, Rodley, Chris, Corbett, Claire, Baker, Dallas, Hancox, Donna, Messer, Jane, Meyrick, Julian, Smith, Michelle and Sulway, Nike. 2015. "An experiment in collaborative writing: day ten." The Conversation. 6 January 2015, pp. 1-24.Anxious affinities: gender and dereliction in Sarah Waters's neo-forties novels
Gildersleeve, Jessica. 2016. "Anxious affinities: gender and dereliction in Sarah Waters's neo-forties novels." Jones, Adele and O'Callaghan, Clare (ed.) Sarah Waters and contemporary feminisms. Basingstoke, United Kingdom. Palgrave Macmillan. pp. 81-96Traumatic cosmopolitanism: Eleanor Dark and the world at war
Gildersleeve, Jessica. 2016. "Traumatic cosmopolitanism: Eleanor Dark and the world at war." Hecate: an interdisciplinary journal of women's liberation. 41 (1/2), pp. 7-17.Uchronic, or queer in no time: wilful subjects in historical fiction
Sulway, Nike. 2015. "Uchronic, or queer in no time: wilful subjects in historical fiction." 20th Conference of the Australasian Association of Writing Programs 2015: Writing the Ghost Train: Rewriting, Remaking, Rediscovering. Melbourne, Australia 28 Nov - 01 Dec 2015 Australia.For the sake of the children: class, anxiety and childhood in Barbara Noble's Doreen
Gildersleeve, Jessica. 2014. "For the sake of the children: class, anxiety and childhood in Barbara Noble's Doreen." Hecate: an interdisciplinary journal of women's liberation. 40 (1), pp. 134-141.Behind the green door: a story about suffering and hybrid identity in the 1950s and 1960s
Sulway, Nike. 2015. "Behind the green door: a story about suffering and hybrid identity in the 1950s and 1960s." TEXT: Journal of Writing and Writing Courses. 19 (Special Issue 31), pp. 1-14. https://doi.org/10.52086/001c.27165Nowadays: trauma and modernity in Agatha Christie's late Poirot novels
Gildersleeve, Jessica. 2016. "Nowadays: trauma and modernity in Agatha Christie's late Poirot novels." Clues: a journal of detection. 34 (1), pp. 96-104.Dear Tip [Letter]
Sulway, Nike. 2015. "Dear Tip [Letter]." Pierce, Alexandra and Krasnostein, Alisa (ed.) Letters to Tiptree. Australia. Twelfth Planet Press. pp. 182-186Paper boats [Short story]
Sulway, Nike. 2015. "Paper boats [Short story]." TEXT: Journal of Writing and Writing Courses. Special Issue 30, pp. 1-11.Where is she? Katherine Mansfield and Elizabeth Bowen
Gildersleeve, Jessica. 2015. "Where is she? Katherine Mansfield and Elizabeth Bowen." Ailwood, Sarah and Harvey, Melinda (ed.) Katherine Mansfield and literary influence. Edinburgh. Edinburgh University Press. pp. 35-47The Karen Joy Fowler Book Club [Short story]
Sulway, Nike. 2015. "The Karen Joy Fowler Book Club [Short story]." Lightspeed Magazine.'Ropes of stories': Jean Rhys, Vivienne Cleven, and Melissa Lucashenko
Gildersleeve, Jessica. 2015. "'Ropes of stories': Jean Rhys, Vivienne Cleven, and Melissa Lucashenko." Queensland Review. 22 (1), pp. 75-84. https://doi.org/10.1017/qre.2015.7The nature of things [Short story]
Sulway, Nike. 2015. "The nature of things [Short story]." Review of Australian Fiction. 13 (4).Candlewick [Short story]
Sulway, Nike. 2015. "Candlewick [Short story]." Fourteen Hills: The San Francisco State University Review. 21 (3).Death, dildoes and daffodils: a queer winter's tale
Sulway, Nike. 2014. "Death, dildoes and daffodils: a queer winter's tale." Johnson, Laurie and Chalk, Darryl (ed.) 12th Biennial International Conference of the Australian and New Zealand Shakespeare Association (ANZSA 2014): Shakespearean Perceptions. Toowoomba, Australia 02 - 04 Oct 2014Happily ever after, almost
Sulway, Nike. 2014. "Happily ever after, almost." Writing Queensland.The wine-dark sea
Bourke, N. A.. 2011. The wine-dark sea. Toowoomba, Queensland.Elizabeth Bowen and the writing of trauma: the ethics of survival
Gildersleeve, Jessica. 2014. Elizabeth Bowen and the writing of trauma: the ethics of survival. Amsterdam and New York. Rodopi.'We're all strangers': post-war anxiety in Agatha Christie's The Mousetrap
Gildersleeve, Jessica. 2014. "'We're all strangers': post-war anxiety in Agatha Christie's The Mousetrap." Clues: a journal of detection. 32 (2), pp. 115-123. https://doi.org/10.3172/CLU.32.2.115The lost man [Short story]
Sulway, Nike. 2013. "The lost man [Short story]." Southerly: a review of Australian literature. 73 (3), pp. 153-163.Behind the green door: romantic suffering and Australian lesbian identity in the mid-twentieth century
Sulway, Nike. 2012. "Behind the green door: romantic suffering and Australian lesbian identity in the mid-twentieth century." Willett, Graham (ed.) 11th Australian Homosexual Histories Conference (ALGA 2012). Brisbane, Australia 08 - 09 Jun 2012The salted heart [Short story]
Sulway, N. A.. 2011. "The salted heart [Short story]." Thompson, Stephen (ed.) Mythic resonance. Brisbane, Australia. Esstee Media. pp. 11-30Their golden daughters
Sulway, N. A.. 2011. "Their golden daughters." Kenny, John (ed.) Box of delights. Dublin, Ireland. Aeon Press. pp. 32-38The fox's child [Short story]
Sulway, Nike. 2012. "The fox's child [Short story]." Andromeda Spaceways Inflight Magazine.My Queensland: this is not for you
Bourke, Nike. 2008. "My Queensland: this is not for you." Griffith Review.Muddy death: fate, femininity and mourning in Jean Rhys's Good Morning Midnight
Gildersleeve, Jessica. 2010. "Muddy death: fate, femininity and mourning in Jean Rhys's Good Morning Midnight." Wisker, Gina and Dodgson-Katiyo, Pauline (ed.) Rites of passage in postcolonial women's writing. Amsterdam, Netherlands. Rodopi. pp. 227-244My Queensland
Shapcott, Thomas, Winch, Tara June, Sheahan-Bright, Robyn, Bourke, Nike and Elliott, Will. 2008. "My Queensland." Griffith Review.Arboretum
Bourke, N. A.. 2009. "Arboretum." The Lifted Brow.Gibraltar
Bourke, N. A.. 2010. "Gibraltar." The Lifted Brow.Her lover's golden hair [Short story]
Sulway, Nike. 2011. "Her lover's golden hair [Short story]." Fantasy Magazine. 57.The spectre and the stage: reading and ethics at the intersection of psychoanalysis, the neo-Victorian, and the gothic
Gildersleeve, Jessica. 2013. "The spectre and the stage: reading and ethics at the intersection of psychoanalysis, the neo-Victorian, and the gothic." Australasian Journal of Victorian Studies. 18 (3), pp. 99-108.Gender, memory and illness in Jean Rhys's Wide Sargasso Sea
Gildersleeve, Jessica. 2010. "Gender, memory and illness in Jean Rhys's Wide Sargasso Sea." McClinton-Temple, Jennifer (ed.) Encyclopedia of themes in literature, volume 3. New York, NY. United States. Facts on File. pp. 901-904Her story: Liza's England (The Century's Daughter)
Gildersleeve, Jessica. 2011. "Her story: Liza's England (The Century's Daughter)." Wheeler, Pat (ed.) Re-reading Pat Barker. Newcastle upon Tyne, United Kingdom. Cambridge Scholars Publishing. pp. 25-41Regarding violence in Pat Barker's Double Vision
Gildersleeve, Jessica. 2009. "Regarding violence in Pat Barker's Double Vision." Peer English. 4, pp. 32-46.Monstrous child: Rosamond Lehmann's war writing
Gildersleeve, Jessica. 2011. "Monstrous child: Rosamond Lehmann's war writing." Philament. 17 (17), pp. 1-11.Jean Rhys's Tropographies: unmappable identity and the tropical landscape in Wide Sargasso Sea and selected short fiction
Gildersleeve, Jessica. 2011. "Jean Rhys's Tropographies: unmappable identity and the tropical landscape in Wide Sargasso Sea and selected short fiction." eTropic: electronic journal of studies in the tropics. 10, pp. 32-38.Trauma, memory and landscape in Queensland: women writing 'A New Alphabet of Moss and Water'
Gildersleeve, Jessica. 2012. "Trauma, memory and landscape in Queensland: women writing 'A New Alphabet of Moss and Water'." Queensland Review. 19 (2), pp. 205-216. https://doi.org/10.1017/qre.2012.23This item comprises data from the following sources: Scopus