Raw emotion: The Living Memory module at three sites of practice
Edited book (chapter)
Pocock, Celmara, Stell, Marion and Mate, Geraldine. 2018. "Raw emotion: The Living Memory module at three sites of practice." Smith, Laurajane, Wetherell, Margaret and Campbell, Gary (ed.) Emotion, Affective Practices, and the Past in the Present. United Kingdom. Routledge. pp. 281-303
| Chapter Title | Raw emotion: The Living Memory module at three sites of practice |
|---|---|
| Book Chapter Category | Edited book (chapter) |
| ERA Publisher ID | 3137 |
| Book Title | Emotion, Affective Practices, and the Past in the Present |
| Authors | Pocock, Celmara (Author), Stell, Marion (Author) and Mate, Geraldine (Author) |
| Editors | Smith, Laurajane, Wetherell, Margaret and Campbell, Gary |
| Page Range | 281-303 |
| Series | Key Issues in Cultural Heritage |
| Chapter Number | 17 |
| Number of Pages | 23 |
| Year | 2018 |
| Publisher | Routledge |
| Place of Publication | United Kingdom |
| ISBN | 9781351250955 |
| 9780815370024 | |
| Digital Object Identifier (DOI) | https://doi.org/10.4324/9781351250962-17 |
| Web Address (URL) | https://www.taylorfrancis.com/chapters/edit/10.4324/9781351250962-17/raw-emotion-celmara-pocock-marion-stell-geraldine-mate |
| Abstract | This chapter investigates the effectiveness of emotion as a framing tool for engaging visitors at heritage sites and museums. Living Memory is a video recording module that invites a visitor to contribute their personal story through a fixed emotional lens. The chapter outlines how this module was trialled at three sites of practice. discusses the trialling and use of the Living Memory module at three sites of practice-educational, industrial and community. In driving the collection of memories, this affective language has the potential to influence how people view the past and provide them with alternative narrative structures. The importance of engagement-the creation of a relationship between display and audience-is exemplified in recent moves towards co-production in museum and heritage interpretation. Taken together, the stories from Living Memory trials demonstrate a new diversity in visitor engagement, and a more conscious affective practice in telling their story. |
| Keywords | heritage, emotion, interpretation, museums, living memory, audience participation, recording, stories |
| Contains Sensitive Content | Does not contain sensitive content |
| ANZSRC Field of Research 2020 | 430299. Heritage, archive and museum studies not elsewhere classified |
| 430205. Heritage and cultural conservation | |
| Public Notes | Files associated with this item cannot be displayed due to copyright restrictions. |
| Institution of Origin | University of Southern Queensland |
| Byline Affiliations | School of Arts and Communication |
| University of Queensland | |
| Queensland Museum, Australia |
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