From Tiger King to Joe vs Carole: Postmodern Murder Media in the True Crime Carnivalesque

Article

Hopkins, Susan. 2022. "From Tiger King to Joe vs Carole: Postmodern Murder Media in the True Crime Carnivalesque." Journal of Criminal Justice and Popular Culture. 22 (1), pp. 56-70.
Article Title

From Tiger King to Joe vs Carole: Postmodern Murder Media in the True Crime Carnivalesque

ERA Journal ID17226
Article CategoryArticle
Authors
AuthorHopkins, Susan
Journal TitleJournal of Criminal Justice and Popular Culture
Journal Citation22 (1), pp. 56-70
Number of Pages15
Year2022
Place of PublicationUnited States
ISSN1070-8286
Web Address (URL)https://jcjpc.org/volume-22-issue-1-april-2022
Abstract

This article provides critical perspective on the criminological themes evident in the Netflix true crime streaming television documentary series, Tiger King: Murder, Mayhem and Madness, which emerged as a popular cultural phenomenon during global 2020 COVID-19 lockdowns. Drawing on the cultural criminology of Presdee (2000, 2004), this study identifies both postmodern and carnivalesque elements in the intertextual Tiger King universe, which includes Tiger King (2020), Tiger King 2 (2021) and Joe vs Carole (2022). This article also includes discussion of new media, user-generated, parodying TikTok videos, and other creative (anti)fan responses, inspired by Tiger King celebrities and big-cat owners, Joe Exotic and Carole Baskin. Through close reading of multiple Tiger King texts, this analysis reveals representations imbued with class ideology and misogyny, beneath the dark humour and (un)pleasures derived from 'hate-watching' rival true crime celebrities, in a dystopian, post-pandemic socio-cultural context.

KeywordsTiger King; Carnival; Crime; murder-media; Netflix; TikTok; Joe Exotic
ANZSRC Field of Research 2020470107. Media studies
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Byline AffiliationsUniversity of Southern Queensland
Institution of OriginUniversity of Southern Queensland
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