Blood is thicker than water: stains on the land in Bra Boys

Edited book (chapter)

Collins-Gearing, Brooke and Huijser, Hendrik. 2012. "Blood is thicker than water: stains on the land in Bra Boys." Bennett, James E. and Beirne, Rebecca (ed.) Making film and television histories: Australia and New Zealand. London, United Kingdom. I.B.Tauris Publishers. pp. 26-30
Chapter Title

Blood is thicker than water: stains on the land in Bra Boys

Book Chapter CategoryEdited book (chapter)
ERA Publisher ID2155
Book TitleMaking film and television histories: Australia and New Zealand
AuthorsCollins-Gearing, Brooke (Author) and Huijser, Hendrik (Author)
EditorsBennett, James E. and Beirne, Rebecca
Page Range26-30
Chapter Number1
Number of Pages5
Year2012
PublisherI.B.Tauris Publishers
Place of PublicationLondon, United Kingdom
ISBN9781848859432
Web Address (URL)http://books.google.com/books?id=ugXNQLPqQuMC&pg=PA26&dq=Collins-Gearing+and+Huijser&hl=en&ei=x7GCTqbNGsKZ8QObxaEK&sa=X&oi=book_result&ct=result&resnum=1&ved=0CCwQ6AEwAA#v=onepage&q=Collins-Gearing%20and%20Huijser&f=false
Abstract

This chapter is a critique of the way in which the documentary Bra Boys constructs history, memory and identity. The Bra in Bra Boys is short for MarouBRA beach in Sydney. Bra Boys was released in 2007, and is the most commercially successful Australian documentary ever released. it tells the story of the Abberton brothers (Sunny, Koby and jay) and their extended Bra Boys surfer gang or 'tribe': a band of multi-ethnic males form the suburb of Maroubra. The film's director, Sunny Abberton, is a Bra Boy himself, and, along with his brothers, offers an overview of Maroubra's surfing history and culture - which includes claims to place, issues of class and race and violent interactions with authority. The localism of the film is well-defined and constructed by boundaries of colonialism, racism and the physical landscape (the differentiated beaches). The signification of 'Boy' in the title immediately establishes the film's hyper-masculine purpose and approach. In this chapter, we consider how the film attempts to re-narrative colonialism using an ethnocentrically specified perspective and location.

KeywordsBra Boys; Maroubra; Sunny Abberton; Australian films; surfers
ANZSRC Field of Research 2020450199. Aboriginal and Torres Strait Islander culture, language and history not elsewhere classified
360505. Screen media
470107. Media studies
Public Notes

Copyright of individual chapters belongs to the authors. This publication is copyright. It may be reproduced in whole or in part for the purposes of study, research, or review, but is subject to the inclusion of an acknowledgment of the source.

Byline AffiliationsUniversity of Newcastle
Bahrain Polytechnic, Bahrain
Institution of OriginUniversity of Southern Queensland
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